Here, two items from Cal York’s Monthly Broadcast From
Hollywood column marked the genesis of Frankenstein, when Bela Lugosi was cast as The Monster, and the
release of the finished film, with substitute Boris Karloff.
From the August 1931 issue, a short item hails Lugosi as
the new Lon Chaney, fresh from Dracula
and now slated to play “the unborn man” in Frankenstein. The Monster would be eight feet tall, with only the
actor’s chin and eyebrows poking through the makeup.
Jumping to December 1931, Cal York’s column carries an
anecdote about set visitors, namechecks director James Whale, and reports that
Boris Karloff toiled under 48 pounds of makeup and “body structure”, causing
him to lose 21 pounds.
If the items read like studio-fed publicity, guess what.
“Cal York” was a house name (CALifornia – New YORK) serving an ever-changing
staff of contributors, and the monthly “Broadcast from Hollywood” column was a collection of tidbits gleaned from
studio PR. Of Frankenstein’s
makeup torture, contemporary newspapers carried the same stories, often
augmented to include Lugosi’s monster face improbably melting in sunlight and
Karloff given leg braces and an inexplicable steel spine, creating his
mechanical gait. The story about wearing a veil to and from the set was
substantiated with obviously posed photographs of Karloff, head covered, led
around by makeup man Jack Pierce.
The hype was fanciful, sometimes outrageous, and always
entertaining. Finding factual information within these stories is much like
panning for elusive gold.
Next up: Universal targets Photoplay’s young female readers with Frankenstein fashions!
Cal York info from Andrew Slide’s book Inside the Hollywood Fan Magazine (University
Press of Mississippi, 2010).
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