Showing posts with label • I Was a Teenage Frankenstein (1957). Show all posts
Showing posts with label • I Was a Teenage Frankenstein (1957). Show all posts

September 5, 2011

The Posters of Frankenstein :
Italian I Was a Teenage Frankenstein



I’ve blogged previously about the stupendously prolific poster artist Sandro Simeoni (aka Symeoni), here delivering another typically dynamic illustration for I Was a Teenage Frankenstein (1957), released in Italy as The Massacre of Frankenstein.

Simeoni layers the action with a voluptuous blonde up front and background characters engaged in violent action. The ragged, golfball-eyed Teenage Frankenstein swings a club at his overpowered victims against a glowing field of red. Simeoni would use the same funky Frankenstein logo on his poster for The Revenge of Frankenstein (1958).


Image source: The ever-excellent Wrong Side of the Art.


Related:
The Posters of Frankenstein: Italian Revenge of Frankenstein


August 26, 2009

Teenage Frankenstein Print Ad



I always loved the old newspaper ads for movies done in stark, black and white, comic book-style spot art.
This admat for I was a Teenage Frankenstein (1957) breaks down and simplifies the movie’s poster featuring the bug-eye, distressed face of the Teen Frankenstein, with an insert of The Monster in silhouette carrying off the girl and a heavy dot pattern for background shading.
With improved printing methods and better paper, today’s print ads reproduce the delicate tones of the photographs that dominate current movie poster art, but they come off as downright bland when compared to the unsophisticated but jazzier old-style ads.

Image source: Held Over


July 1, 2008

Teenage Frankenstein Meets Teenage Werewolf


On this day, half a century ago, in the very busy Frankenstein year of 1958, American International Pictures released How To Make a Monster.

In retrospect, the film plays like a fond farewell to the AIP era of teen-centric monster movies, reuniting its Teenage Werewolf and Frankenstein in a fourth-wall skirting story about a Hollywood studio closing down its horror movie department. In fact, AIP would soon abandon its drive-in roots for the comparatively rarified air of the Poe-Corman-Price gothics.

Muscle-bound Gary Conway returns as the scramble-faced Teenage Frankenstein and Gary Clarke steps in as the dog-nose lycanthrope, replacing the original Teenage Werewolf, Michael Landon, who wanted to move on to more serious fare. An earnest Robert H. Harris plays a mad makeup man who uses drugged cosmetics and hypnosis to zombify his young monster actors into killing studio suits. For its blazing climax, the film abruptly switches from black & white to full color, a trick first used to good effect in I Was a Teenage Frankenstein (1957). Ten brisk minutes of color footage was sufficient for the producers to advertise “Ghastly Ghouls in Flaming Color!” on the film’s garish posters.

It was truly the end of an era as the final fire scene sacrifices the monster masks — mostly the work of the great Paul Blaisdell — used in celebrated Fifties AIP horrors like The She Creature and The Invasion of the Saucer Men.

How To Make a Monster was remade, in name only, in 2001.


There’s an excellent website devoted to producer Herman Cohen, featuring posters, lobby cards and behind-the-scenes stills from his movies, including How To Make a Monster. Here's the trailer for the film.

Here’s a link to a good interview, conducted by Tom Weaver, where Cohen discusses this film.

Ray Young, on the Flickhead blog, reflected on director Herbert L. Strock and the film’s possible gay subtext.

The film is available on DVD, backed with another Cohen/Strock collaboration, Blood of Dracula (1957).



March 30, 2008

The Covers of Frankenstein : Horror Monsters No. 2

Ghouls! Gags! Gore! A rough painting of the Teenage Frankenstein, artist unidentified, graces the cover of Charlton Publications’ Horror Monsters number 2, in the summer of 1962.

In this issue, the film I was a Teenage Frankenstein (1957), rates a short, two-page photo spread, played for laughs, under the title “Exclusive! Teenagers muscle in on monster racket!”


October 31, 2007

I Was a Pre-Teen Frankenstein

A true story.

I grew up in the tough, blue-collar East End of Montreal. Back in the late 50s, when I was 8 or 10 years old, us kids owned the back alleys. The gravel backyards and the firetrap wood and corrugated steel sheds were our playground. One of our favorite spots was an old wooden garage, formerly a stable, with a rickety staircase that led to a wonderful low-ceilinged loft. That dark, dusty structure was our King Arthur castle where the Crusades were fought on summer weekdays. It was our frontier fort to attack or defend, depending on whether you were a cowboy or an indian that day. It was our Legionnaire’s stronghold, our haunted house and, of course, Frankenstein’s mountaintop lab.

One memorable afternoon, early autumn, one of the guys brought over a paper bag. It contained something that belonged to his older, teenage brother, the one with the ducktail and the cigarette pack rolled into his shirtsleeve. He had us swear up and down that we would never tell that he had brought out this treasure, on account that his brother would kill him for messing with his stuff.

We made a solemn oath of eternal silence, and my friend, satisfied, opened the bag and changed my life.

It was a homemade, papier-mache mask of the Frankenstein Monster from I Was a Teenage Frankenstein. His teen brother had seen the film and, impressed and enthusiastic, had come home and built himself a replica, luridly painted in yellows and greens, complete with a bulging, bloodshot, baseball-sized eyeball.

I thought it was the coolest thing I had ever seen. We all did. We were awed.

The mask was passed around and handled reverently, like a sacred object. It was a heavy, full-face mask, half-an-inch thick, with a leather strap glued in so you could wear it, and chunks of sponge inside to protect your face. Each kid, in turn, got to try it on, and the moment it was attached to someone’s head, a single sparkling eye gazing at us from a narrow slit, the Frankenstein face came alive. Each kid, in turn, moved his head and growled, and suddenly, the Monster was among us.

When my turn came, my heart was pounding. I raised the mask to my face, someone tightened the strap. It was heavy and scratchy, and I could hear myself breathe inside the mask. I looked out through the one eyehole, and all my friends went “Ooooh!”. I moved my head and let out a low, menacing moan, and they all went “Aaaah!”.

The mask went to the next kid, and again we all reacted to it. When we were all done, the mask went back into the paper bag, and our friend raced home to stow it away before its disappearance was noted.

I thought about that mask a lot. I would have killed to have it. I suppose it rotted away, forgotten in it’s brown paper bag, eventually to be thrown out with all the useless junk of childhood.

I never looked at my friend’s teen brother the same way again. I thought of him forever after as an artist, a genius of sorts. He never knew, but I always felt that he had taught me something important: You Can Make Your Own.

I dug through Famous Monsters magazine for monster makeup tips. I mail-ordered the Dick Smith’s monster makeup one-shot from Warren’s Captain Company. I was soon experimenting with plasticine, thick liquid latex and plaster. I learned how to use collodion for scars and mummy wrinkles. And so on, like all the Monster Kids of the 50s and 60s, growing up on Shock Theater and Aurora Monster Kits.

If my boyhood pals read this, I hope they don’t mind my spilling the big secret. I hope my friend from back then — where are you know? — doesn’t get into trouble with his older brother, after all these years, for messing with his stuff.

For me, it was a magical moment. I had been inducted into the Secret Brotherhood of Monsters, there in our secret hideout. The day I Was a Pre-Teen Frankenstein.

Happy Halloween, everyone.