Forgotten today,
Bubble and Squeek were cartoon characters — a taxi driver and his
anthropomorphic cab — whose animated career was limited to four titles released
way back in 1947 and ’48. The character’s names were derived from Bubble and
Squeak (note the spelling difference), a traditional English dish of pan-fried
leftovers, usually served at breakfast.
The driving force behind the cartoons
was American-born George Moreno Jr., late of the Fleischer Studios, who settled
in England and launched British Animated Productions (B.A.P.), making a bold
attempt at creating homegrown Technicolor cartoons for British cinemas.
Unfortunately, the project collapsed quickly when wartime restrictions on
foreign products were lifted and the market was instantly flooded with
American-made cartoons.

The fourth and final
Bubble and Squeek title, OLD MANOR HOUSE, has our heroes seeking refuge
from a typical monster-movie-style wind and rain storm inside the title’s
“creepy place”, occupied by a belligerent, monocle’d and mustachioed rodent
named Colonel Rat. Clocking in just short of 7 minutes, it’s a brisk and manic
affair with Bubble and his car subjected to frights that include a nice cameo
of a Frankenstein Monster — an absolute requisite character in any scary Old
Manor House. Identified as “Frankie Stein’, with forehead wingnut bolts, the
Monster moves mechanically, utters a dainty “Boo!”, and exits through the wall,
leaving his distinctive silhouette in classic cartoon cutout.
B.A.P. produced a fifth short, spinning off Colonel Rat as
the star of LOCH NESS LEGEND (1948) while
Bubble and Squeek went on to a brief career as picture book characters.
Moreno would go on to work in television and commercial animation.
OLD MANOR HOUSE (1947) is embedded above, worth a look if
you don’t mind the poor quality. Embedded below is a British Pathé short
showing the B.A.P. crew at Harringay studios working on a Bubble and Squeak cartoon.
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2 comments:
Awesome, never heard of this!
There was a "Frankie Stein" character that Ken Reid drew during the '60s in the British comic book "Wham!"
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