Day Six already? Lots more coming!
I am proud to have John McElwee of
Greenbriar Picture Shows contributing to our Peter Cushing
Blogathon. Greenbriar is a
persistently splendid blog devoted to classic films, packed with information,
peppered with anecdotes and dressed up in rare stills, promotional material and
film posters.
Here, John celebrates Cushing and examines three of The
Baron’s efforts: The Revenge of Frankenstein, Frankenstein Created Woman and Frankenstein and the Monster from
Hell.
I suggest you linger and enjoy the archives on the site.
You’ll thank me for the suggestion.
Steve Thompson at
Booksteve’s Library makes a good, solid appraisal of Captain
Clegg — Night Creatures in North America — a Hammer thriller based on
Russell Thorndyke’s Dr. Syn
stories. It was an unusual role for Cushing — and he nails it — with support
from a young Oliver Reed, Yvonne Romain, and a meaty part for Hammer regular
Michael Ripper.
A good selection of stills completes a great post.
This, folks, is not Peter Cushing. Look closely. Closer
still… This is an astounding, hyperealistic likeness of Cushing’s Tarkin
sculpted in silicone by California-based artist Jordu Schell.
See more marvels at Schell’s
website and blog.
Today, Joe Thompson applies the Six Degrees of Separation
theory to Cushing’s Doctor Who. Nicely illustrated with pix of the Doctor and his
assistants.
From the Frankensteinia Archives, here’s a link to my
examination of Frankenstein and the Monster from Hell, Hammer and Cushing’s final Frankenstein, the last
film written by Anthony Hinds (as John Elder), the last film directed by
Terence Fisher, even as Hammer was collapsing around them.
Cushing Gets Confused: Star Wars Outtakes is a short video parody created by the father and
son team of Jason and Joshua Carter, especially for the Cushing Blogathon.
Good, silly fun! See it on The Writer’s Journey.
Blogger RayRay continues his dissection of the Hammer
Frankensteins with his careful examination of Frankenstein Created Woman.
The still above is from my favorite scene, when Cushing’s
Baron thumbs through a bible as if he’d never seen one and leaves it there,
obviously unimpressed. It’s a brief, effortless moment for Cushing that says
more about Baron Frankenstein than a whole page of dialog would.
Zombie Rust’s ink portrait for today is Dr. Schrek, aka Dr.
Terror. Go ahead, pick a card. On
Slash The Zombie.
Stephen Jacobs reminisces about BBC2’s horror double-bills
of his childhood, an introduction of classic Universal and Hammer films for a
generation of Brits.
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